So who is Aphra Behn? And what does attempting to answer that question reveal about us?
In reading her plays, one is tempted to look for connections with current feminist concerns, but except for her deep concern that marriage be entered into on the basis of mutual affection and not contracted for social or monetary reasons, there is little that Behn wished to change in the relationship between the sexes.
She knew herself too well, furthermore, to attribute greater virtue to women than to men. If she did not appear to be interested in demonstrating the virtue of her sex, she at least used her plays to celebrate its power.
The Forced Marriage and The Amorous Prince Behn began her literary career with two plays whose technique and style are based on the romantic tragicomedies written in collaboration by Francis Beaumont and John Fletcher. Plays of this type permit a serious subject to be explored while avoiding a tragic resolution of the conflict.
The first of her dramas in this vein was entitled The Forced Marriage, a work whose theme is the conflict between love and honor. This play was followed by The Amorous Prince. The play thus contrasts rural innocence with urban corruption and probes the competing claims of love and friendship.
The Dutch Lover The performance of her third play, however, ended in failure. Despite the fact that The Dutch Lover is much better than either of its predecessors, the public proved unreceptive.
Much of the blame for its failure, however, may justly be attributed to a poor production.
Based on a contemporary novel with a Spanish setting, the intricate plot of The Dutch Lover involves seven sets of lovers—four of them being of earnest intent and the other three being comic in nature.
One of the males who is featured in a comic pair of lovers is a Dutchman, and the play derives its name from his prominence in many of the comedic scenes. The various strands of plot mesh nicely—with the aid of multiple disguises and mistaken identities reminiscent of plays constructed in the manner of Spanish intrigue.
Such comedies emphasized action and intricate plotting at the expense of character development and usually incorporated the element of spectacle.
Abdelazer Discouraged by the failure of The Dutch Lover, Behn offered the public no new plays from February,to the time when Abdelazer was produced in July, This work is a romantic tragedy in the grand manner, with much turgid rhetoric.
The plot was derived from an anonymous sixteenth century play, and its action takes place in a Spanish-Moorish milieu. Although it met with public approbation, it is decidedly inferior to plays of this genre written by Dryden and Otway.
Sensing that she lacked the temperament needed to create heroic drama, Behn did not again attempt to write tragedy. The Town Fop For her next play, Behn turned to more congenial subject matter and for the first time composed a play whose setting lay within the city of London.
Tags: Aphra Behn, literature dissertation, literature essays, literature research paper, literature term paper, literature thesis, Oroonoko, the Royal Slave ← Sports Celebrity Advertising Lend-Lease →. The 18th Century proudly referred to itself as the "Age of Enlightenment" and rightfully so, for Europe had dwelled in the dim glow of the Middle Ages when suddenly the lights began to come on in men's minds and humankind moved forward. Oroonoko essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Oroonoko by Aphra Behn.
Entitled The Town Fop, it is a marked improvement over any of her previous works for the theater. Indebted in the main The entire section is 1, words.ONE.
But, you may say, we asked you to speak about women and fiction--what, has that got to do with a room of one's own? I will try to explain. Find great deals for Contemporary African American Fiction Vol.
Free phillis wheatley papers, essays, and research papers. [Provides the text of Oroonoko (in original spelling and capitalization), with background material on slavery, responses to Behn from to , and six recent critical essays (abridged), including those of Spencer, Brown, and Sussman.]. Oroonoko essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Oroonoko by Aphra Behn.
1: Critical Essays by Aphra Behn (, Hardcover). Shop with confidence on eBay! The Death of the Moth. Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us.
The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination.
The resulting text is both social commentary and annotated memoir—equal parts enlightening and enjoyable but sharp throughout. In contrast, the essays in Todd's collection, mainly by British academics, tend to set works in their historical and theatrical context, emphasizing Behn's use of contemporary political rhetoric, or staging devices.